So here's something I don't want to do. I don't want to use any images from popular films or preferably not from pre-existing footage. In short, no montage of hollywood films. I understand that we want to see these post apocalyptic films as some sort of references and get ideas, but I'm just making sure that nobody here takes movies Cara suggested as some thing we will be projecting behind the performance. I think we can make something far out and interesting projection without relying on found footage.
I would like to have more input as to what inspired you to choreograph the dance, or what images did you have in your mind. Also any abstract things like feelings, shapes, colors, and tempo will help to create the visual images.
We talked about melting ice block. We can film that as well as having it on stage. On video, we can manipulate speed and even reverse the melting block of ice.
I want to use visual image as sort of de-constructive tool for the concept of "the end". I tend to like abstract images that sink into viewers mind and stick for years to come. Or something people may forget but few years later comes back to haunt and finally making sense. To me direct images are shallow and weak. For instance, if I were to show tale pipe, smog, traffic and rising thermometer to express the global warming, I won't have you guys dancing around the close up image of tale pipe. That would be lame. In stead, I would distort those images to the point viewers have to think and re-think to make some sense out of it. With the dance, music, and other art form combined it can be very powerful.
I would like to have more input as to what inspired you to choreograph the dance, or what images did you have in your mind. Also any abstract things like feelings, shapes, colors, and tempo will help to create the visual images.
We talked about melting ice block. We can film that as well as having it on stage. On video, we can manipulate speed and even reverse the melting block of ice.
I want to use visual image as sort of de-constructive tool for the concept of "the end". I tend to like abstract images that sink into viewers mind and stick for years to come. Or something people may forget but few years later comes back to haunt and finally making sense. To me direct images are shallow and weak. For instance, if I were to show tale pipe, smog, traffic and rising thermometer to express the global warming, I won't have you guys dancing around the close up image of tale pipe. That would be lame. In stead, I would distort those images to the point viewers have to think and re-think to make some sense out of it. With the dance, music, and other art form combined it can be very powerful.

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(um...posting as a comment because I haven't figured out this system yet)
My (current)thoughts...on the end...
It’s interesting to spend some time contemplating the end of the world. Especially when I rarely do. It is actually quite difficult for me to try to visualize the end…granted that I don’t consider it often. I suppose that I am more fascinated with our obsession with the end…then the actual end itself.
I believe the world could end many ways, and I am torn between choosing to stand by one theory or another. Especially when it is plausible that the world could never end at all, and “the end” is just our natural urge to create theories as a way to understand our own expendability. Unfortunately many images I have of the end of times…include violent scenes of toxic nuclear mushroom clouds and earth shattering meteors from movies like Armageddon and Impact (yeah…I watched those). However, I also believe that we are capable of creating our own end…and destroying our world by destroying the soul of humanity itself…which wouldn’t necessarily require dramatic gesture such as a tsunami or an earthquake. Perhaps the end…is as subtle as an increase in diseases like obesity and cancer, or a rise in poverty and violent crime. Perhaps the apocalypse approaches everyday, in so many seemingly insignificant societal tumors, that…when the world actually ends…we won’t even realize it.
The word apocalypse (according to Webster) actually comes from the Greek word apokalyptein-to uncover and to cover, and in definition refers to a prophetic revelation of an “imminent cosmic cataclysm”…a great disaster. Revealing a disaster…covering and uncovering…it appears that the word itself conflicts in it’s meaning. Maybe that is just the point…the apocalypse is when the energy of the world is so divided that it is pulled in opposite directions and ultimately cancels itself out…the end. It sort of makes sense. If you consider theories such as the big bang, or the story of creation…we all came from nothing…so wouldn’t it make sense for us to end in nothing as well?
More on this later…
just wanted to write a little something here per the conversation we started at rehearsal last week:
I think that we found that the very reason Nao is reluctant to use pop iconography is the very reason I want to. It is true that each of these images has a ton of baggage, and that pop images arn't just representational, but often emotional. I understand wanting a clean pallete on which to paint; using original images to tell our very own story. I think there is a place for that. I also think it's interesting to call them out on just how much pop culture has influences thier ideas about the end. Pop ( TV, movies, sci fi books, etc) has created a visual vocabulary through which we are able to communicate, and relate to eachother in a different way.
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