Wednesday, January 31, 2007

Hi all,
This morning I was listening to the Thom Hartman show on the radio and he was interviewing one of the people in charge of the "Doomsday Clock" - the one that was just pushed forward 2 minutes. It was a very interesting interview, mostly talking about how many nukes are around all over the world, how many countries are trying to acquire nukes, etc. One of the things that I found most interesting is that this is the first time that they have taken climate change into consideration. You can probably find the interview on Thom's website: http://thomhartman.com/.
This might be entirely too stupid or obvious, but, for dancer/choreographers: what about struggling to physically turn back, or stop, the motion of the hands of a clock. Maybe a really big clock (like the Doomsday clock they trotted out for the press conference Cara linked too last week). I'm just thinking a lot about the tension between wanting to present the apolapyse in clocks/calendars while at the same time wanting to hold out the possibility of reversal (i.e. of new environmental policy, new nuclear armament policy, new Jesus policy?). Can we show the absurdity of this notion, that we both think the end is inevitable but want, genuinely, to work against it.
sound echo,

want to move forward with this idea of composing from non-instrumental sound sources. would like to use original field recordings as much as possible. so, anyone with access to recording gear, grab as much ambient sound as you can, either seeking out particular sound events, or just catching the environment. we'll figure out sorting and composing it as we go.
Visuals and Sounds...

Here's a list I've been starting of images and sounds that may be a strating off point in creating a soundscape/visual dictionaryfor the piece

Images (perhaps a place to get started, though Nao, I'm sure you have Many more ideas about this than I... i have no experience with video....):
-Block of Ice melting
I have this vision of a recurring image of a block of ice melting, with different devices being used to melt it:
1. hair dryer
2. Aerosol spray
3. fire
4. salt
5. ??

-glacier falling apart into the ocean
-fire
-news clips of "war"
-presidential regurgitation
Ok, I'm not sure if we should go here or not, but perhaps showing bush eating his words about global warming...in some way... could be... interesting???
-migrating birds
with no where to go? Habitat destruction???
-many people in a busy street/traffic
-clocks
1. geological time
2. Christian time
3. mayan time
4. global warming time....
5. ????

Some sounds:

-ice cracking
-low, deep vibrations
-breathing/panting
-aerosol spray
bubble/gurgle sounds
-baby crying???
-humming
cars/traffic

*please note that this is not my creative medium. I am very excited to see/hear what you (guys) have in mind, these are just some things I was thinking about.

Blah blah blah

I'll write more later
So I don't know if you guys have the cable or TV, but most of the good stuff today, you can catch it on Internet.
Here's Daily Show interview segment I thought was funny and interesting for our project.







Well then, the clock is ticking...

Want to organize another writing workshop, possibly before Sunday, but also want to start throwing drafts and such on the blog for the benefit of our ladies in (or soon to be in) the field (Cara, Ava, Dhira). I'll throw up some questions for the audience here. The notion is that the questions begin to act as a kind of glue between sections, by turning audience attention this way or that and by invoking some level of commitment/complicity out in them. Anyways, here's a start, using a few different rhetorical strategies. Please start adding to these, any and everyone, and from there we can whittle them down and plug them into the emerging choreography, if that method sounds good to everyone.

If you’re worried about tomorrow, face forward.

If you count the gallons going into your gas tank, turn right.

If you count the seconds until the Second coming, look up.

In flight, the land disappears under water, and where then do birds land?

What do animals know that we ignore?

What is everyone so worriedworried about(sic)?

Is your universe getting bigger or smaller?

They say the clock is ticking- ticking on the life of the sun, ticking on the timers of bombs, ticking on an elliptical universe, ticking on the arrival of the Messiah, ticking on soot-darkened sky and I want to know, if you’re even listening, which clock do you hear ticking?

Tuesday, January 30, 2007

YEAH!!!!

We just got accepted to STREAM FEST at Counter Pulse!!!!!

This show will be more "tech heavy" than PILOT at ODC, thus we're excited to get deeper into the video side of this work.

I'm not yet sure which of the two performances we'll be in, but the dates are as follows:

PERFORMANCES:
Thurs/Fri May 17,18 MAP:Media Assisted Performance
Sat/Sun May 19,20 EPF: Emerging Performance Fest
Exact tech dates/times TBA

in Addition, here are the dates ya'll need to know about for PILOT:

Showing: Sunday FEb 25th 9 am
Showing: Sunday April 1st 9 am
Performance:Saturday April 28
Exact Tech dates/times TBD

Labels:

So everyone knows:

Our rehearsal schedule has a new addition!!!

Dancers will now be meeting on Thursdays from 12pm-2pm in addition to our Sunday rehearsals.
These rehearsals will be held either at CounterPULSE or at CellSpace. I'll let you know as they come up.

This week, we'll most likely be at CounterPULSE... I'll let you know if that changes.

In addition, we will be occasionally having another dance rehearsal during the week, but these will not be scheduled on a regualr basis. I'm talking to counterPULSE right now about when the space is available, and I'll let you know as soon as I have more info.

Thanks you all for you time and energy, we REALLY appreciate all of your hard work. Rehearsal this Sunday was great! and I look forward to continuing the choreography on Thursday. See you then!

-Abby

Labels:

Fire and Ice
by Robert Frost

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.

But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice.
1920

So this may be the lit geek in me, but I have also started thinking about several different Emily Dickinson poems as well as the play Endgame by Samuel Beckett. All of them seem to describe an acute uncertainty about the end (of life, of the world); they are certain that they know nothing and it's frustrating. Recently I've been thinking it's almost calming not knowing, but sometimes the not knowing how or when is worse than what could happen.

so if people want to read more (and reading is always good) I'll post more poems and excerpts from the play that have to do with the not knowing, but knowing that we will end.

sorry if that didn't make sense, but it did in my head.

Saturday, January 27, 2007

Late night google searching, and I came upon a website aobut the Apocalypse.
www.apocalypse-soon.com
This site have interesting texts and images.
Have a fun!
Nao

Friday, January 26, 2007


"Four Horsemen of the Apocalypse" by Albrecht Dürer (1498)

Personally, I gravitate to the question of "why" than "when", "what", or "how".

Before I get into it, I want to apologize for grammatical errors and run-on sentences that might confuse you. I'll do my best to make my point clear.

So why do humanity spend so much of their time and creativity in apocalypse?
I suggest that one of the segment need to focus on this matter.

The quick answer is because we all FEAR the end. "The end" we all fear is death, the end of individual's life. But is this really the end? Some religious people will say "no." The fact is the heart stops and your physical being is no longer functional. But does that mean it's the end? So "end" is merely a concept that can vary between individuals. We know 100% that we are going to die, and that's a fact, but when it comes to "end" of self, or consciousness, we all have different idea. In another words, when it comes to the "end" it is no longer a fact and we are not 100% sure about what it means.

When we are not sure about something, we get scared. We fear darkness and future. Unlike other animals who waited hundreds of thousands of years for natural selection and evolution to take care of it, (gazelle's speed, rabbit's ears, turtle's shells, etc) humans created religion and science. For first several thousands years, human relied on religion to cope with these fear, but when science caught up with religion, may be around the time Edison shed some lights on darkness of the night, we started to think the science can answer some of our questions too.

The trick about science is that more we know, more we don't know. In science we even got to calculate distances to every stars we see. But when we found that out, we figured how small and insignificant we are to the universe, and we got even more scared. In math, back in 500BC, things only Greek scholars could figure out, today we learn them in an elementary school. But regardless of our advancement, mathematicians today has a computer that are still calculating Pi. We have a such hard time to simply accept something could not be finite, and realm of unknown will always exists.

The science gave us much more broad possibilities of world's end than religions ever did. On top of that, that very science is providing us with new probability of self destructions. So when we try to get an answer to something like "how will the world end?", the scientific imaginations gave us answer so much more vivid and horrific than Dante could ever imagine of hell. So why do we continue with this endless cycle of fear?

Once a wise man said "fear is given to us by God for survival." This is true to certain extent. Some people may fear the end of the world, because they can't bear the feeling of the death hanging above their head and not knowing when it will strike. Typically, these people will continue to frighten others by digging a bomb shelter and buying gas masks. Some people even fantasize fear and almost as if they masochistically indulge on images of apocalypse, but that is just another way of escaping from facing more immediate danger which require hard work to resolve. These are irrational fears and we are smart enough to use our deconstructive thinking to point that out.

On the other hand, people fear not specifically the end of the world, but possibility of the world continuing to deteriorate. In another words, it may sounds cheesy like NBC's public announcement, but we hate to imagine our next generations to come will suffer in result of our poor judgement. This type of fear can lead to the real changes and positive outcome.

In today's world that filled with fear based propaganda (Fox News, Bush, Mel Gibson, etc.) which are backed up by some pop cultures that feed on them, it is getting increasingly harder for some people to sort out rational and irrational fear. And I think ultimately, what we can do as artists is to give them clearer view to the issues we face.

Personally, I don't believe in heaven or hell. I believe that influences will continue to live on after my death. My hell will be at the moment of death thinking that my life was in vain, or knowing that I had grater negative influences to humanity than positive ones. And it will be a tragedy if I don't have a grain of hope left for the condition of this world. May be a that's what we fear the most, more than the end of the world. With so much craziness around the world, we sometimes forget what we fear the most.

That's almost all the thought I have for today, except some trains of thought that didn't stop at this station long enough to hop on.

See you on Sunday.
I'm going to really jam the blog up today.

Errant thoughts I want to get down, some form Wed. some from other conversations.

Images:
Dennis (hey, if you get on, will you edit this where I get it wrong) came up with this really amazing image from some reading he's been doing- a mushroom cloud transformed into mushrooms or mushroom spores flying off to germinate. Why? Turns out certain kinds of mushrooms can grow in extremely toxic, like oil spill/Chernobyl/Mexico City toxic, environments and a.) still be totally edible, and b.) transform that environment into something neutral or even benficial as a by-product of their growth. Thus, mushroom cloud, something totally negative, to mushroom, something very positive. Personally, I like how kind of silly it is, because it's disarming. I would love to find a way to present this that is productive in the piece.

I'm really obsessed with this image of scientists (i.e. people in lab coats) dancing around an ice object. Dennis and/or Cara had the variation of dancing around fire, which somehow got on to dancing on an island of ice worshipping a fire in the center that is melting the ice. Trying to think of ways to enact this live and in video, showing the inversion. Possibilities included shrinking the stage or merely the space the dancers used, actually coralling the audience in- all in reference to shrinking land mass predicted by climatology. The implications of the image for me are: the obvious fact that the extent to which science has contributed to the technologization of culture makes them culpable for the the environmental disaster, and the way in which certain of these scientists are now doing this very public shaman dance around the ice caps, telling us to watch them melt and to think about forces in the sky and to repent. All of this follows on points Cara and others have made about how the science stands at the ready to act just like the old eschatology of religion (Nao put it like this: We had the religious "facts" and now science just replaces each one of those facts with their "facts").

Still having trouble generating good solid images of the end of the world: I guess I'm just not that kind of poet.

On the question-generating discussion. One of the compositional methods we've decided on is to use questions asked of the audience to transition them from one focus of attention to another. Cara proposed a grammar like this:

"If you drove here tonight, look to your left." At which point they would see a segment of dance, or a video clip. Our further discussion was that it would be dumb to use that as an opportunity to hit them over the head with images of tail pipes. So the question of how to make that moment useful to the audience is still floating.

Other questions:

The "which is your science/which is your clock question" grabs me. The grammatical variation coule be: "If you count the seconds until our Sun goes supernova, look up". I'm actually starting to feel a lot of poetic potential in that grammar ("If you're happy and you know it, clap your hands").

anyways, still in the works of compiling a master list. If you're working on a segment, dance or otherwise, and know you need a transition, you could shoot ideas or assignments out to the group. In the meantime, I'll codify all the ones I've got form notes and generate a few more.

that's it for a bit, see you all Sunday at 2pm.
Clocks. I was going to post about clocks.

I've got this stack of reading, some of which purports to debug the scientific craze for eschatalogical-type prediction, and some of which is just plain-ass crazy. I'll report back if I sort anything out. But yeah, clocks.

The Doomsday clock, of course, is misleading, because it's actually a representation of probability, whereas a clock is, to most observers, a representation of inevitability. There is no reason to believe that a functioning clock will not strike midnight exactly one minute after is strikes 11:59. But of course that's not what the Doomsday clock is saying. There's plenty of reason to believe the DOomsday clock will never srike midnight (though I still think it's pretty serious business- what up, Kashmir). If they were being less sensational, they'd probably just give us a standard probability scale where 1.0 is absolutely guaranteed to happen, and 0 is not ever going to happen, which I'm sure is what their computer models are actually calculating, and then you get a news conference full of very grim septegenarian physicists saying: "0.78" (or whatever the number would be, I'm going to go look it up in a minute).

But, oh yeah, clocks. The idea of the different rates of clocks is pretty exciting to me. Think of one very large, slow-moving clock representing the Universe reversing it's expansion process and heading back towards eventual implosion (the Stephen hawkings clock). Then a smaller, though still fairly slow-moving clock reprsenting our Sun expanding enough to swallow up our solar system, Earth included (the Sun clock). Then a smaller clock representing climate changes which could eventually render the earth uninhabitable to creatures like us at a faster rate than we could adapt, either genetically or technologically (the Al Gore clock). Then an even smaller clock represnting Doomsday in the nuclear sense, which would be even quicker environmental debacle than carbon-emission.

Alongside those clocks would be the religious/eschatological clocks: one for the Mayan calendar, one for the Second Coming, one for the Mahdi, others (let's go find some more). We might also need a clock for possible giant comet collision, which I guess would be on a clock in the sense that comets have rates of speed and somewaht predictable trajectories (i.e. you could "clock them").

Now, I want to add a fifth dimension on top of time- probability. For the Hawkings clock, the probability is 1.0 if his theory is right, and 0 or inscrutable if his theory's wrong. For the Sun clock, in that we've more or less witnessed stars gong supernova, I think the probability is a solid 0.99. For the Al Gore clock, I think everyone's got to admit the probabilities are much lower, and I want to do the research to get a better grip on what they'd be and how they map on to different outcomes (Nao had good stuff to say about this Wednesday night, that it's dumb to think climate change will just mean everyone falling over dead). For the Doomsday clock, I think it's really question-begging, as the probabilities are 1 if it happens and 0 if it doesn't, though it may be credible to say that we are, in some sense, inching up the probability scale every time we make or test a weapon.

For the eschatological clocks, the easy answer would be that they are also either 1.0 if true and 0 if false. This is because they rest on the assumption that the universe is ordained form the start, or that everything is just fate. So, it's absolutely certain that a.) Jesus is coming back to judge the living and the dead b.) the Mahdi is coming to do battle with evil on Earth c.)fire is going to rain from the sky and swallow the whole world (or however the Mayan version actually goes d.) Ganesh is gearing up to destroy the Universe again, etc. But what's interesting is that, after these fail, and I think one thing we should maybe do is rattle off the dates of all the failed predictions we can get our hands on, their probabilities don't, in the believers minds, go back to 0. The failure of the world to go up in smoke on Y2K didn't cause everyone to abandon their individual sechatological beliefs, they just went and crunched the numbers again. This made me think of the following paradox:

Each day that we wake up alive both disconfirms the apocalypse and brings us one step closer to it.

Now, this is easy to write off if you're an atheist like me, but if you add in other clocks besides the eschatological ones, the hawkings clock, the Sun clock, you have to start taking it seriosly again. I woke up today, which means no one dropped the bomb on me in my sleep, but it also certainly means I ticked off another millisecond on at least one of those clocks.

So, I guess the rephrased version of my first reherasal questions, "How (strongly) do you believe in the End?", would be:

"Which clock(s) do you live by?"

I'm shooting off of Cara's question Wed. night- "which is your science?" and the realization that none of these little branches of science are in charge of telling the whole story, and that they may in fact have competing and contradictory stories/interests.
the BUZZZZZZZZZZ
a few of us met at Mama Buzz this week to flex our brains and figure out where to go next.... here's what stuck with me as fodder for Sunday's rehearsal:

We started to look at each of the different potential outcomes here: massive natural disasters, a nuclear holocaust, a fiery hell on earth, yadda yadda, and really considered what stories were being told. Some of these narratives are spelled out for us, as in the bible, but some of them require a little more imagination. For instance, the nuclear story and the global warming story are both putting their faith in science, but the details there are quite different, as are the time lines. (as are the people who might tell each of those stories)
Thinking about the time lines of each of these stories, we went back to the idea of the doomsday clock. What if there were a clock to represent each of these outcomes? Which one would be closest to midnight? And if the clocks had all started at the beginning of their story, and kept on ticking at their own pace until the end, at what rate would they be moving? Imagining these clocks side by side, their relative paces become an interesting prospect for both sound and movement.
For Sunday, I would like each of us to really consider what our own story of the world is. When did it begin? How will it end? At what rate is your clock ticking?

Friday, January 19, 2007

So here's something I don't want to do. I don't want to use any images from popular films or preferably not from pre-existing footage. In short, no montage of hollywood films. I understand that we want to see these post apocalyptic films as some sort of references and get ideas, but I'm just making sure that nobody here takes movies Cara suggested as some thing we will be projecting behind the performance. I think we can make something far out and interesting projection without relying on found footage.

I would like to have more input as to what inspired you to choreograph the dance, or what images did you have in your mind. Also any abstract things like feelings, shapes, colors, and tempo will help to create the visual images.

We talked about melting ice block. We can film that as well as having it on stage. On video, we can manipulate speed and even reverse the melting block of ice.

I want to use visual image as sort of de-constructive tool for the concept of "the end". I tend to like abstract images that sink into viewers mind and stick for years to come. Or something people may forget but few years later comes back to haunt and finally making sense. To me direct images are shallow and weak. For instance, if I were to show tale pipe, smog, traffic and rising thermometer to express the global warming, I won't have you guys dancing around the close up image of tale pipe. That would be lame. In stead, I would distort those images to the point viewers have to think and re-think to make some sense out of it. With the dance, music, and other art form combined it can be very powerful.
Doomsday Clock

http://www.boston.com/news/nation/washington/articles/2007/01/18/doomsday_clock_edges_toward_midnight/

I found this article yesterday and immediatly had ideas about working this into the piece. I think it will be a nice counterpoint to the ideas about geological, natural time as well as another example of contructed, artificial timelines that keep getting adjusted to fit the current reality.
Of course I know this isn't actually a time keeping mechanism, but I think it's quite interesting that science has chosen the format of time as a thermometer for nuclear disaster.
Please read before Sunday's rehearsal
film/video/print graphics:
- there is an animated sequence on the Jurassic (I think it's Jurassic) extinction that has all these dinosaurs looking up from what they're doing and seeing all these comet chunks hitting the ground. That image is totally ingrained in my head, and I have no idea where it's from (I want to say discovery channel, or something, but I also feel lik it's really old).
- all the recent apocalypse movies: Dennis Quaide and the big wave, the comet one- I don't actually see any of these, I just respond to the big teaser image they put in the trailers
- probably illustrations from physics and astronomy books

literature/print media:
Stephen Jay Gould's books on mass extinctions. The Book of Revelations. nearly every cover story from Science Journal or the Economist in the last year or so

that's all I can think of for now, I'll keep on it though.

Monday, January 15, 2007

HOMEWORK:
I'd like each of us to start posting materials that you've found to be influencial in forming your ideas about the end of the world so Nao can start researching what we might like to use.
Here's a start for me:

movies:
The Last Wave
Mad Max
Water World
The NeverEnding Story
Bladerunner

I'll try to figure out how to post photos so I can start sharing some other images....
happy posting:)
Debrief from yesterday's rehearsal:

Welcome Cat, Ana and Gretchen!!!!
The Dance roster is now as follows:
Pearl, Sarah, Cat, Ana, and Gretchen.
Abby and Cara are working on compiling the schedules and firguring out what the satelitte rehearsals will look like.

We furthered our investigation into time based excercises.
Abby will focus on geological time,
Cara will be working on cyclical time.
Please post any comments about yesterdays rehearsal

Tuesday, January 09, 2007

First post for real. This is gong to be inordinately long, mostly because I need sort all of this stuff out before I can go on thinking about this topic. None of you have to read this.

So, at the first rehearsal I asked a series of questions about what we think the end of the world will be like and where we think we got these notions. But of course, there is a lot of vagueness in both the words "end" and "world". Nao broght up, and I think rightfully so, that it's not obvious that anything ever "ends", rather that things just change form. Of course, Einstein's (I think it was him) conservation of matter/energy would seem to support this- there is the same total mass and energy charge in the universe there was the split-second after the Big Bang- it's just organized differently- and one of those organizations happens to be carbon-based life, which might not be here in 2,000 or 2 million years.

There are two things I want to tease out before I let that picture (which might not be exactly what Nao meant, so come slap me if I'm wrong) stand. We obviously don't get our definition, or even our notion, of life from physics. Where our notions come from is going to quickly diverge into many pathways (an issue we have to address as a group soon- just how many different knowledges are we dealing with inside our group and in our potential audiences?). For myself, I can probably say my notion of what life is comes from the Aristotle and then gets kind of adopted by modern biology- and I think that's the case with most folks who are educated (and who buy into) American or Western European schools. Now, included in that notion of life is the necessary finiteness of life- all lives end. As long as the discussion doesn't get metaphysical, on this picture, every being is born, moves around, does some stuff; and dies, and death, on this picture, is the termination of life. It's also perfectly consistent with this picture to think that all life could cease to exist- in just the case where all living things die. This is one possible meaning of the end of "the world".

Immediately, we might want to ask, well, what do we mean by "death"? If I give you some medical definition (lack of electric activity in the brain, lack of circulating blood, etc.), it is still open to ask- but does that really constitute an end? If I understood Nao right, something like that question motivates his skepticism about "the end of the world". Obviously, this question gets metaphysical very quickly and I actually can't think of any way to evaluate it (I guess I'm still an empiricist philosopher), but all of a sudden I want to point out that I doubt we're going to assuage our anxieties about catastrophic changes in life as we know it with metaphysics. Even Christians committed to the notion of the Rapture seem to be committed to it because of, and not in opposition to, extreme trepidation about the end of life. I don't know what to make of this, but I thought I'd throw it out there. I guess the thing to investigate is, what kind of attitudes are out there that are ok about mass extinction. If you were Hindu, for instance, and believed in endless cycles of death and rebirth, would the next mass extinction, one that includes human beings, be less troubling to you? I honestly don't know (and don't really know any practicing Hindus either).

All right, part two of the diptych: the "world". One thing I firmly believe is that 'worlds' are observer dependent phenomena. This is following on Cassirer, Nelson Goodman, and even quantum physics- you just don't get something as robust, and concept-laden and variable as what we all try to mean when we say "the world" without human beings. For instance, how many of us mean to include dark matter when we talk about the world? Probably none of us, as it has no positive existence. However, if the theoretical models are right, i.e. if the world of cutting-edge physics is right, it makes up the vast majority of "the world". Of course, you can probably see where I'm going with this, a variant on the tree falling in the woods koan: is there any world there if no one(human) is there to perceive/construct it? The only answer I can think of is that any answer to this question is going to be someone costructing another world, i.e. one without humans in it. If you try to ask someone to imagine no world, they are completely stuck- our brains don't work like that, because we can't think thoughts without content. Thus, I want to say we can only mean by "the end of the world", something like "the end of humanity", or "the end of sentient life"- not the lack of any world at all. If there is a person out there whose afraid of absolute nihilism, it's probably because he hasn't seen the Big Lebowski.

In the end, then, I agree, after a fashion, that the world does not end- or at least that "worlds do not end", and the only question left is how to evaluate a world sans "life" in the biological sense.
First post- really just a test, but such great things are going to go on this blog (some of which will be up when I'm done teaching today).